The Barberini Venus, Jenkins VenusFirst coined by Johann Joachim Winckelmann in a letter, mentioned by Francis Haskell and Nicholas Penny, Taste and the Antique: The Lure of Classical Sculpture 1500–1900 1981, p. 326, note. or Weddell Venus is a sculpture and copy of the Aphrodite of Cnidus, along the lines of the Venus de Medici. Its torso is a Hadrianic copy in Parian marble of the same type as the Venus de' Medici, with 18th-century restorations.
A customs declaration, intended to speed its export from the papal dominions, details the extensive restorations it had undergone in Jenkins' care. The arms were restored while the sculpture belonged to Hamilton or Jenkins – Jenkins often employed Pietro Pacilli or Bartolomeo Cavaceppi for such work – and it also received a head from a separate source.The English sculptor Joseph Nollekens was of the opinion that it had been a head of Agrippina the Younger that had had a veil trimmed away by the restorer, who also trimmed the neck to fit the torso. Perhaps as a result, the hair style of the Weddell Venus is unlike that of the other versions of this Praxitelean type.
Weddell returned to Newby in the summer of 1765 and commissioned first the Yorkshire architect John Carr and then, in 1766, Robert Adam to design a suitable gallery for the sculptures and other antiquities he had purchased in Rome. The result was a domed rotunda in which the Weddell Venus had a prominent niche, flanked by rectangular galleries, decorated with refined Neoclassical plasterwork and forming a top-lit Neoclassical tribune.
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